Wednesday, December 12, 2012

Plot Types




There of lots of plot types out there. It’s important to find yours.
Plot Types :
1.   Love story
a. sub-type, buddy salvation (can be friendship)

2.  Horror
a.   Uncanny—horrific parts are astounding, but has rational explanation
b.  Supernatural—source of horror is irrational (spirit realm)
c.   Super uncanny—keep readers guessing as to source

3.   Western

4.  War (can be setting for many plot types including love story and science fiction)
a.  About combat
b. If it’s prowar—military thriller (Dale Brown, Tom Clancy)
c.  If antiwar—political thriller (Venturian Candidate)

5. Coming of age
a. Example—Bambi

6.   Redemption story
a.  Character driven, all about moral change within protagonist
b.  Can appear in any fiction genre

7. Punitive plot
a. More in mainstream, character driven books
b. Good guy turns bad and is punished
c. Example—Rage of Angels by Sidney Sheldon, Godfather I & II

8.  Educational plot
a.Deep change in protag. view of life, people, or self
b. Example: Great Gatsby

9.    Disillusionment plot
a.   Also Great Gatsby

10.                   Comedy (ranges from parody to romantic to satire to black)
a. Can be gentle or caustic
b. Chick lit is example of comedy
c.  Science fiction has comedic sub-genres

11.                    Crime Plot
From whose point of view do we regard the crime?
a.   Murder mystery—detective pov
b.   Caper—criminals pov
c.    Detective—cop’s pov
d.   Gangster—crook’s pov
e.   Thriller/revenge—victim’s pov
f.      Courtroom—attourney’s pov
g.  Newspaper—reporter’s pov
h.  Espionage—spy’s pov
i.       Prison drama—inmate’s pov

12. Social drama
a.    Deals w/ problems in society.  Story about cure/solution.
b.    Much women’s fiction has this.
c.     Political drama—see in thrillers and mysteries
d.    Eco drama—battle to save environment
e.     Psycho dramas—mental illness

13.                  Action-adventure
a.                In many genres including science fiction, romance
b.                High adventure—fun
c.Disaster survival—more serious

14.               Historical drama
a.  Can be used in any genre, supra plot type
b.  Reader lives today, so must be pertinent to readers today
c.  Example—Dangerous Liaisons—central focus is still pertinent—courtship as combat, battle for sexual supremacy

15.   Science Fiction
a.      Setting affects plot, can encompass many different plot types

16.                   Sports
a. Tests characters physically, mentally, emotionally

17.                Fantasy
a.  Action, love, politics can fit inside this.
b.  Certain conventions for every plot type.  Example: disillusionment—change in values, western—west setting, love story—someone meets someone, crime story—needs a crime


The genre must accommodate expectations of plot type and genre:
·          Comedy—no one gets hurt
·          Crime—need crime, sleuth, motivation, crime can’t happen too late
·          Have you read in this genre?
o   Know what you love in this genre?
o   Look at top 3 writers.  What do they do that works so well?
o   What do you find boring?  Exciting?

Make the limitations work:
·          These things work for you, not against you.  This way you don’t have to reinvent the wheel.
·          Writing talent is a muscle.  When you don’t have something to push against, it atrophies.
·          Love story—boy meets girl is not a cliché, it’s a convention.  Where cliché starts is in how they meet.  Do you have two dynamic individuals who are forced to share an adventure?
·          Make the frustration work for you.  Make your imagination come up with a good idea.
·          Action/adventure—convention—protagonist at mercy of villain and must turn the tables.  This scene is imperative and must test protagonist’s ingenuity and skill to survive.  Test must happen.  fresh—when Harrison Ford shoots “goliath” wielding sword
·          Every fresh convention spawns new clichés. 
·          Love story—biggest challenge is what’s going to keep them apart.  Menander—parents of girl oppose the match.  After that, blocking characters were force opposed to love.  Shakespeare—both parents (Romeo and Juliet), 20th century—parental approval no longer matters
o   Witness—blocking force is her culture
o   Harry met Sally—belief that friendship and love incompatible
o   Ghost—death is blocking character